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instrumental

ensembles and
compilations of performances
featuring various artists:

An Evening of Chamber Music:
Gruppman, Gruppman, Itin

The Guarneri String Quartet
Plays Beethoven

Here to Make Music
- 8th Van Cliburn Competition


In Celebration of the Piano
Hosted By Van Cliburn,
at Carnegie Hall.

Great Pianists -
of the Bell Telephone Hour


Great Violinists -
of the Bell Telephone Hour


Producers' Showcase:
Festival of Music, Vol 1 & 2


Istomin, Stern, Rose Trio
Beethoven & Brahms

Miami Int'l Piano Festival
Masters of the Keyboard, Vol. 1
Masters of the Keyboard, Vol. 2

Piano Trios
Gruppmann, Kosower,
Itin, Neiman

by artist last name:

Argerich, Martha
Martha Argerich

Arrau
, Claudio
Plays Mozart & Beethoven

Cheung, Rachel
Keyboard Prodigy


Ciccolini
, Aldo
Aldo Ciccolini
Homage to Debussy
Saint-Saëns & Ravel Concertos

Cliburn, Van
Van Cliburn - A Portrait
(documentary)
Live in Moscow, Vol 1-5

Dacic, Mischa
In Recital

De Larrocha
, Alicia
Glory of Spain

Eckardstein von, Severin
In Recital, 2007
Live in Recital, 2009

Ferras, Christian
In Recital

Firkusny, Rudolf
Dvorak Concertos
with Suk: In Recital

Fliter,
Ingrid
In Recital

Fournier, Pierre
The Art of

Freire, Nelson
In Concert

Galway, Sir James
Vivaldi: Concerti for Flute

Gavrylyuk, Alexander
Live in Recital
In Recital, May 8, 2007

Giltberg,
Boris
Live in Recital


Gilels
, Emil
The Art of
Live in Moscow, Vol 1-5
In Concert

Haendel, Ida
The Art of Ida Haendel
In Recital
with Misha Dacic in Recital

Itin, Ilya
In Recital

Iturbi
, José
The Art of

Jia, Ran
Live in Recital

Kempff, Wilhelm
Plays Beethoven

Kraus, Lili
In Recital

Landowska
, Wanda
Uncommon Visionary

Libetta, Francesco
Libetta in Lecce
Live at Roque d'Antheron

Lifschitz, Konstantin
Well-Tempered Clavier
with Eugene Ugorski

Michelangeli, Arturo
Two Titans
Plays Beethoven

Milstein
, Nathan
With the CSO

Moravec,
Ivan
Dvorak Concertos

Neiman, Adam
Piano Works of Chopin

Nelsova
, Zara
Grand Dame of the Cello

Oistrakh,
David
with Sviatoslav Richter

David Oistrakh, Vol 1
Shostakovich 2nd Violin Cto


in Recital

Onay,
Gülsin
In Concert
In Recital

Prats, Jorge Luis
In Recital

Rampal
, Jean-Pierre
CBC telecasts

Richter, Sviatoslav
Two Titans
With David Oistrakh

Rivinius,Gustav
Dvorak Concertos


Rosand
, Aaron
Live at Mills College
Celebrating a Life of Music

Rose,
Jerome
Plays Chopin: Live in Recital

Plays Beethoven: Live in Concert
Plays Schumann, Live in Recital
Plays Liszt, Live in Recital
Plays Schubert, Live in Concert

Rubinstein
, Arthur
Plays Chopin, & Rachmaninoff

Rzewski, Frederic
Plays Rzewski

Slenczynska, Ruth
Tribute to Rachmaninoff


Segovia
, Andres
Glory of Spain

Stern, Isaac
The Art of

Suk, Josef
with Firkušný: In Recital

Szeryng
, Henryk
The Art of

Szigeti, Joseph
Plays Tartini, Prokofiev
& Beethoven

Tortelier, Paul
Complete Cello Suites

Tureck
, Rosalyn
Goldberg Variations
The Art of
On Television

Wild, Earl
Wild About Liszt

 

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Konstantin Lifschitz Plays Bach
The Well-Tempered Clavier
VAI DVD 4488 $39.95

(Books 1 and 2), BWV 846-893

Bach's magnum opus, The Well-Tempered Clavier, is, for keyboard artists, a daunting master-piece exploiting the very limits of the instrument and those who brave its challenges. The young Russian pianist Konstantin Lifschitz has made Bach a specialty in his programming and his performances of the complete Well-Tempered Clavier - played from memory - in New York and Miami have elicited superlatives from the critics.

Note: In an interesting variation in performance practice, Konstantin Lifschitz combines the two books of the Well-Tempered Clavier by following each prelude and fugue from Book I with the corresponding prelude and fugue from Book II, thus keeping the key signatures together and creating a steady progression through the scale to the end of the series.

Live 2008, 265 min., Color, Stereo, All regions


" The Miami International Piano Festival's Master Series opened... [with] a unique event. In marathon afternoon and evening sessions, Russian- born Konstantin Lifschitz traversed all 48 preludes and fugues that comprise Books I and II of Bach's Well-Tempered Clavier. [It was] an awesome pianistic display of Baroque musical architecture on the most exalted level."
Lawrence Budmen
Sun-Sentinel (4/2/08)

"Lifschitz was faultless technically, not dropping a single note. His legato approach to Bach is one of moderate tempos and a freely expressive style. Yet his playing had the requisite rhythmic vigor, with pristine clarity even in the most contrapuntal fugues.... But it was this artist's interpretive depth and poetic insight that made his extended traversal of Bach's mighty 48 such a fascinating journey. Lifschitz's subtle balancing of inner voices and terraced dynamics were natural and seamless, his playing always leading the ear on to the next bar."
Lawrence A. Johnson, South Florida Classical Review.com

 

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